The Meissen sculptor, who trained under Jörg Danielczyk, was born in Dippoldiswalde in 1992. Maximilian Hagstotz was already enthusiastic about painting and sculpture design during his school years. At the age of 16, he followed his passion and began an apprenticeship as a porcelain painter at MEISSEN. During this in-depth training period, he realised that he could gain even more knowledge in the art department, while continuously developing his skills and insights. When the former head sculptor Jörg Danielczyk – impressed by his great talent – offered him a placement in his master class, he was quick to accept the unique opportunity and continued his training in sculptural design.
Conversations, more than anything else, are a great source of inspiration for the young artist and spurn his artistic creation. The urge to start immediately and create something new is always part of the creative process. The challenge of finishing the sculpture and not having to re-examine the entire piece is a constant companion in this creative process. The prospect of growing as an artist with each piece gives him the confidence to complete each project successfully
For Maximilian Hagstotz, it’s what’s hidden, the obscure that constitutes the special allure of his sculptures, be it a hidden element or an artistic composition that is unconventional to begin with. Both beauty and deeper meaning unfold only in the eye of the beholder, in a wandering gaze that explores the sculpture in all its magnificence.
“A sculpture should never reveal everything at once. Its appeal and fascination is always the result of enticing the viewer to walk around and discover it in all its beauty.”
Maximilian is particularly proud of two of his works – "Orangutan" and "Ray". His first sculpture, "Orangutan" was issued in a 25-piece limited edition and sold out quickly. His "Ray" sculpture was his final project in the master class and also the first project to be done entirely according to his own ideas. Developing and defining his own vision, as well as convincing others of his project were among his greatest challenges. Sketches, whether in clay or on paper, facilitated the process immensely.
Within the long tradition of animal sculptures, Maximilian Hagstotz, for the first time in Meissen’s history, developed the "Big Five" as a cohesive series. Each animal features an elaborate decorative pattern that highlights its most characteristic features and ties the group together as an artistic whole. The angular silhouettes are based on African wooden sculptures. His group of figurines also served as inspiration for the Hugo Boss x MEISSEN collection in December 2019, for which limited-edition mugs were created that featured motifs from the "Big Five". Driven by his ambition, the 28-year-old artist has given particular importance to charting out new design routes and experimentation within his artistic practice. All the while propelled by his self-determination to always improve on his previous work.